Friends, fellow filmmakers and big fat fakers

paparazzi 1Photo by Christopher Labadie Photography

There is something really sensational about the human spirit – how we live in a constant state of renewal and restoration. Think about all the times you have been screwed over, hurt, betrayed, taken advantage of, lied to, left behind, heartbroken, cheated … by friends, colleagues, family members, trusted elders …  but have you stopped trying? Have you stopped your heart from loving or from exploring the possibilities of what other love exists? I don’t know a single person that could answer yes to these questions in truthfulness.

We are chemically wired to seek out connection and fellowship with other souls. Our body physically responds to touch and emotional encounters in ways that science nor logic can deny that we are literally constructed to share our lives with one another in unity. This is where the pitfall of organized religion comes in and acts as a trap to mankind. Any person, power or organization that teaches you that you are somehow incomplete or lacking if you do not depend on them is an inhibitor and damaging to your soul. Because we are constantly in this state of seeking, so many people falsely claim to have or be what it is that you seek and out of desperation or hope, you grasp onto it, wanting to believe you have finally found your home, your church, your life partner, you dream job, or whatever it may be.

The issues is in the source – if that thing or person is lost, destroyed, does not live up to expectation (which is the most common reason for depression clinically is unmet expectations) … then what becomes of you? You who have aligned yourself to this force to be fed some sort of spiritual, mental or emotional nourishment to sustain your own life-source? You die and wither like a flower starved of water.

If you’re like most of us, you barricade yourself in a room for a bit, pig out on Ben & Jerry’s, a few bottles of wine or maybe some vodka depending on how serious, cry, rip some shit up, throw away anything that causes recollection of said person, place or thing and then emerge from your cave claiming to feel like a new person; rejuvenated, reignited and ready to go.

You’re not new though, you are a collective of everything you have ever experienced and everyone you choose to encounter and allow into your life path. It is how you let these pieces shape or impact who you are. I’ve never believed in forgetting or not acknowledging your past because of this reason – your past is your foundation, the building blocks of the pillar that is you. Given everything that gets thrown at you in life, the fact that your pillar is still standing (it may have a few gouges or scratches here and there and some missing paint or cracks) but the simple fact that it is indeed still standing, is quite phenomenal.

I love very deeply. I love my parents very deeply. I love my God very deeply. I love my acting very deeply. I love a man very deeply. I have to be extremely careful of those whom I trust and whom I allow into my life on a deep level because when I love you, you have so much power to effect my world. That’s just not a risk I’m willing to take lightly anymore the older I get.

I’ve had a few circumstances that arose in my life over the last year or so ( health scares, love woes, etc.) where I get in my car and I drive around and say “I have no one. Everyone I know is a business contact; an acquaintance.” It’s a very hallowing realization to understand that if I want to call someone at 3a.m. to talk about the audition at Good Faith or that film set we were both on two weeks, ago I’d have my of the litter, but if I need to talk to someone about how I may have a hole in my heart and that’s what’s been causing my migraines this whole time, then who the heck can I call?

I made a devout promise that I would begin working on developing healthy, viable relationships. I am blessed to say that I have a few ladies in my life that I’ve known since Kindergarten, one even from preschool. I don’t come to her nearly as often as I should, but every time I do I feel welcomed home (usually with wine) and warm and comfortable – like putting on a cozy sweater. It doesn’t matter how much time has passed or what guilt my conscious has racked up with sins, I know I can be myself with her.

My best friend lives in Texas. She was one of those people that you meet and your energies just collided and mesh. We connected immediately and although I’ve never had a sister of my own, I would say that I love her as my own flesh and blood and would protect her at any cost. We have this unspoken anger with one another because both of us are entirely too stubborn for our own good and don’t like initiating or asking for help or love so we constantly await the other one to make a move – it’s a lot like a long distance chess match done through the mail actually. I wish every day she would move back and that I could have her near to laugh with. The relationship, the distance, the life circumstance may change, but the love never does.

God has also brought other people into my life in the most unexpected ways. I stayed with Mary Lynn Kelly when I first moved out of my home when separating from my ex husband. Mary Lynn is a glowing spirit, always looking for expressive ways to create and enhance the world of those around her and took me in graciously under her maternal wing. Wendy Killeen is probably the most selfless single mother of 2 that I know as well as an unsung hero. She gives so much and asks nothing in return. Wendy is the kind of person who inspires me. I read in my book series which I often make reference to, that whenever you meet someone new, the question you should ask  yourself is “How can I be a gift unto this person?” Most people operate on the opposite basis, asking “What can I get out of this other person? How does this benefit me to befriend or spend time socializing with this individual?” Wrong. So wrong.

That’s where my fellow-kind comes in. I have over 2,000 “friends” on Facebook. I talk to dozens of different people on any given day whether it be on a film set, IM, at an audition, mixer, screening, rehearsal, work or what have you. I constantly have people coming and going from my life. I made a mistake very early on when first starting out in this career path, believing that all of these new people I was meeting were  now my new friends. I am a very open person and a very trusting person  so I shared bits and pieces of myself with these people. Bits and pieces that these people doused in gasoline, shoved into a cannon and then proceeded to fire at will as ammo at me when it benefited them to do so.

I can’t tell you how many times I’ve opened up to someone honestly, thinking that I was in a safe place to do so when I hear the next day that this same person turned around and said I was a diva or a bitch and used my words (which they originally agreed with) to turn a director or manipulate some other like party against me. Ouch. Seriously, don’t do that! Let me cry, let me be a loner a set, think I’m a bitch, fine – but don’t fake -friend me. That’s just mean. I recently got the advice never to trust another female in LA. Don’t let another female ever take you to an audition, pick you up from an audition, look at a script or side you are working on, or know anything about who you’re dating or your personal life. I don’t think that rule only applies to the ladies la la land … just sayin …

Granted I still believe in my gut that most people are genuinely good and are also looking for a deeper connection. I think that most believe because you may share a mutual interest in film and acting that those seeds should be enough to bloom into a beautiful, fruitful tree if watered and cared for. Ideally, this should be so and fresh , full gardens of shared passion should be cultivated, but that requires both parties to operate on the same level.

I do think that there are some people though, that are nothing but big fat fakers. If all you want from me is for me to work in your film for free, or for me to write up a press release for you or perform some other business-related task, here’s a novel idea – JUST ASK ME. You don’t have to go through this entire bs process of befriending me. It’s a waste of your time and mine, we are both adults and understand the nature of our industry and how cross-promotion works, so why not be forthcoming about it?

I’ve seen it all before, where people fake an interest in who you are because they feel if they don’t, you won’t grant them certain favors that they are in need of. I know the process and I’ve seen it all. There are guides available even, on how to do this  like a skill set – when you meet someone don’t start off by directly asking for a need or a favor or a contact or referral, instead introduce yourself, compliment the other person, let them know qualities you admire about them and if anything, ask them how you can be more like them. These individuals will feel so appreciated that eventually they will volunteer information and services without you even having to ask. That’s the beauty of the system. Even with people I know, they write to me and start with a compliment or some sort of formality so I scan to get to to the part where they are asking me for what it is they actually need. So silly.

I’m feeling bitter at this precise moment because a new business connection decided to drop me like a fly after it escaped my mind that we were scheduled to hang out. He sent a cold text saying “Best to you in your endeavors.” Wow, alright dude, if you choose to operate in those closed off terms and with a policy of unforgiveness and lacking of understanding, then perhaps I’m not interested in fostering a relationship, professional or personal, with you anyway. Dan Dice once said, and I think it is true, your friends will be your friends no matter what. Those true beacons of light will guide you home no matter how much you have messed up, how far off the path you strayed, how lost you got in the wilderness; they will just always be there. That is a friend.

You see, something interesting happened to me while at the Jerome Indie Film and Music festival which taught me an invaluable lesson and exposed a dark, dirty area of myself to … well, myself. I had a very close encounter with my ego and I didn’t like it. I’m ashamed to admit to this, but I feel most may have experienced similar things. I’m dating an actor, a very multi-talented, dynamic, handsome actor who happened to have multiple features screening in Jerome. I prepared myself in advance that this would be his event and I would be support to him, his date and company. I didn’t realize how deeply it would impact my confidence and sense of worth. I felt like a nobody, after all, in this industry you are only as good as your last film. I’d see everyone going around talking about their work, proud of their shorts and their roles, smiling and beaming but I just couldn’t shake my feeling of uselessness. I suddenly desired the invisibility cloak from Harry Potter, more than anything several times throughout that weekend. In fact for the very first time in years, when people started asking me what I do while I was out there I denied the fact that I was even an actor.. I kept saying that I was a writer. I felt to lowly, too non-existent to own the title of actor. I remember feeling that same way when I first started out 2 years ago or so, and I remember my mentor pulling me aside and saying “Melissa, no one will believe you’re an actor until you do.” Since then whenever someone asked me “Oh what do you do?,” I would reply with forced confidence and a smile “I am an actor” until I did start to believe and it felt comfortable on me. Fake it till you make it, right? Until now at least …

When we went back to the room for a wardrobe change in between events and my sweet man started to express his love for me and I didn’t feel worthy of it. Who was I? A nobody, and this fantastic creature in front of me is trying to give me his love. Why? I don’t deserve it. Suddenly flashes of this cycle rippled across the back of my mind and I realized with extreme clarity that this is what we do. We allow others to dictate how good we feel about ourselves. What a terrible, ugly thing. Because these others don’t know us, they don’t know our hearts or our true value, these others know our characters, know the roles we play, know the public personas we exude at events, know shadows of us and yet they are the ones that determine our good days and our bad days? I looked him in the eye and expressed what I just came to terms with and he agreed that this was something that we both were indeed guilty of and needed immediate action to rectify. It became so clear to me why professional actors keep their real, authentic lives locked behind closed doors – because it is precious to them. It became clear to me why the emphasized needing family and people in your life for a support system, because it does not matter how many fans or awards or Facebook likes you have – the world is a fickle and unfair force. If you place your life in their hands you can be God one day and the sacrifice for the upcoming God the next. But to give your heart to those that find you always worthy, no matter how long it has been since you were cast in a lead role or how big of a success of big of a flop your last film was, or how many people recognize you; that is where you will find the core of love and it is only from there can you receive it’s true blessing and healing powers. It is only there can you share your life with someone without fear of falling too deep.

The Lovelost – Ready to Hear You – Music Video by Running Wild Films   http://youtu.be/ddsow5cukks

An actor’s growing pains: It hurts so good

melissa farley 57Photo by G Rockett Phillips

 

I don’t know why I’m writing this now … I’ve been staring at a computer screen for about 14 hours and I haven’t eaten today. Everything feels fuzzy and raw, but I couldn’t seem to not write.

I just got back from L.A. and for the first time I am feeling a bit discouraged. It’s not for any particular reason except for perhaps I’m realizing how daunting of a commitment it is that I’ve chosen to willingly accept upon myself. Sort of like marriage except I don’t get a big shiny diamond ring out of it.

On Saturday I was scheduled to attend a workshop and open audition for Dan Ireland who directed “Jolene” and I was nervous. No I mean like really nervous. That kind of nervous where my stomach hurts and I get a knot in my neck and I don’t talk to anyone or am on like a 10 second time delay on responding because I’m so in my head about everything. I felt awful about this particularly because it consumed the whole rest of our trip. Michael Alvarez and I were actually on a studio tour of Warner Bros. Studios because that’s what we do in LA – cheesy touristy stuff because well, why the hell not? It’s fun and we might as well now because when I live out there I know I will not be spending money on anything other than Chef Boyardee products and toilet paper and a thousand dollar rent. So we were sitting there, waiting to enter this theater and see 90 years of film and television and live sets and all I could think was “Here I am desperately trying to get in these doors, not as a cheeseball fan but as my day job and what if it NEVER happens?”  You see, I’m guilty of being a “what-if-er” Imagine how exhausting that can be to those close to me. I sit there and ponder each and every possibility from the best to the worst and usually I dwell on the worst.

This is a bad habit of mine. I spoke to a friend yesterday who does the same and this whole last week she’s been working on exiling negative thoughts from her mind on entry, flipping it to a positive outcome and verbalizing that immediately to give power and validity to the thought. She said her whole outlook has changed, her attitude is improved, her burden feels lightened and her energy levels are even higher. Could be a whole sammich of bologna but I’m willing to take a bite … I don’t mind bologna every now and again.

So as I sat there and stewed in my pensiveness I thought, “Maybe this is a good thing that I’m nervous.” (I just broke thought and started thinking about beef stew because I wrote stewed… and hot dogs, and fried bologna sandwiches. Mmmm I think it’s time for a quick Ramen break. Oh the life of an actor) Ok I’m back, belly-filled and ready to go. Where was I? Oh yes, good to be nervous – It’s been some time since I have been really good and nervous and had my feathers all ruffled for an audition in Arizona. My first audition that I did a hardcore prep for was for the role of Anne Boleyn. I worked with a private coach for months on Boleyn’s actual speech or more so prayer, she delivered before her execution. Michael Cortez was the coach and I would refer anyone to him in heartbeat but he has since relocated to New York City. I remember sitting for hours with him sometimes just working on one sentence. I would repeat a word over and over again until it was no longer repeating a word written on a page, but it was my own and it would organically originate from within. Often I’d leave our sessions exhausted and frustrated because I felt I could never fully let go to the level that was needed. Talk about a mental and emotional workout.

The second audition I prepped heavily for was a short film called “Micah” The character was of a young, extremely intelligent woman who had been dealt a cruel hand in life, losing almost everything except her younger brother who she battled to have custody for, but her addiction to drugs hindered the process. I walked in a hot-mess; hair all disheveled, black eyeliner smeared around my eyes, dirty clothes and I smoked as many cigs as I could in the 15 minutes I waited for my audition and listened to “Mad World” on my earphones. All the other girls walked in looking so beautiful … it didn’t matter, at least not this time.

In all fairness if I took myself seriously and you as a filmmaker took yourself seriously, I would handle each and every audition with such attention, care and time but alas things are pretty casual in the good old AZ. Most often I get a phone call or FB IM asking me if I want to be a part of a project. Don’t get me wrong, as an actor this is an honor and a privilege. When first starting out it is always a hope that one day you’ll get to the point where you no longer are required to audition, but people will just know your name and your work and want you. I do find it quite odd though when I am contacted by folks I’ve never worked for that operate this way, who say that they received a suggestion from a friend as a testament to my abilities. That’s always a HUGE compliment to be referred, however, and not to liken actors to take-out food or anything, how many times have you been to dinner with a friend and they ordered a dish and raved about how amazing it was when they had it before so you order the same thing. The waiter sets the plate down in front of you as you stare at the culinary masterpiece, utensils clamped in tight fists ready to pounce, your mouth salivating in eager anticipation at the promised food orgy that awaits your taste buds from your friend over yonder across the table. You take the first bite and … It’s … Ok. Definitely not the best thing you’ve ever had in your mouth. Just ok. Well, what if you think that about me???!!!! I hate that situation because then I’m walking on set with this little twinge in my side thinking “Ok Melissa, you have to deliver. This guy has heard of you and you have to live up to the standards that were set..” No pressure. I have to find  a way to let go of those nerves or find a way to channel and use that nervousness into energy for the performance, that’s my responsibility as an actor. Now that I have a demo reel, I usually insist someone watch it before they work with me just to insure that they at least get to sample the goods before they buy it.

So as I’m sitting there, waiting for my audition, feeling like I swallowed sour milk, I began to appreciate how bitter-sweet this moment is. Here I felt I had just arrived at a place in my professional career where this whole nerves nonsense was behind me and I go and throw myself right back into the rodeo. But, like growing pains, that means that my little wings are expanding and I am moving into a new realm that will challenge me, push me, make me uncomfortable and force me to be brave, do more, go further, take risks and be bigger, badder and better than I have ever been.

Am I ready for this? Gulp.

Well no, but is anyone ever really ready? I forge on anyway and return to my method – allow myself 1 minute to explore the fears and doubts and insecurities and then once that minute is up, I release them to the universe and plunge in. While I’m still navigating back and forth, I hope to apply what I learn in other markets, here locally. It is often when professionals from outside markets come in and introduce new practices, that people perk up their ears and jump in on the conga line. I feel like a sponge out there. My heart is open, my soul is willing, my mind is free and I want to absorb all that I can. I feel there is so much I don’t know. So many skills I don’t have, so many people I haven’t met, so many methods I haven’t studied, so many business practices I am not familiar with, so many industry standards that I simply don’t do for whatever reason. Now is the time and here is the place to merge that gap between LA and PHX.

Despite how much I want to believe that there must be some similarities, I came to also realize from talking to a friend that recently moved to LA, that it doesn’t matter how much money you have, the job you have, any of it … it is inevitably different and it is a huge lifestyle change. Forget adapting to altering factors of the industry, life itself is just different there. I knew of a student who for his senior thesis project was going to write and compile a manual for actors planning on moving to LA about everything you’d need to know – places to live, banks to use, casting agents to see, a priority listings of what to, everything. I don’t know what ever came of that as it was years ago. He either probably got defeated himself or he managed to survive and then like so many became territorial and opted not to share his insights with others to keep his advantage. That’s pretty common out there it seems; everyone seems to hold their cards pretty close.

I have learned that Craigslist is your best friend out there for casting and for finding amazing places to live whereas out here I’d only use Craigslist if I had a death wish. Also I learned that I better get used to the whole “Pay-to-Play” mentality, or actually allow me to correct myself, as my friend Kevin put it better “Pay-to-ask-permission-to-play” mentality. It’s like paying to put in a lineup to be chosen to play volleyball. I can see where that would get extremely frustrating when you’re already struggling for basic survival and things like food or I don’t know maybe gas at $4 plus a gallon to get to the auditions if you actually get one. A positive is that you’d get really good at knowing your type! Unless you’ve got money to burn or access to Mummy and Daddy’s bank account, you’re not going to submit yourself to just anything and everything. Instead you’ll become aware of what you actually have a shot at landing. It can be a cruel reality check perhaps when you may have to downgrade yourself from 90210 hotness level to like the awkward best friend of the leading man that sticks cheetohs up his nose for entertainment, but hey, at least you know you stand a chance at booking something!

A lot of actors don’t seem to have an issue finding representation right away as there are so many talent agents out there, but usually the first agent you sign with is more like a stepping stone and a way in. It should be accepted and appreciated as such. I heard several times on this most recent trip some news that us transplants might actually have one advantage over native LA actors and that is our ability to freely and regularly work out here. The owner of a studio and my friend who edits demo reels for a talent manager both said that most of the demo reels they see come through are absolute ish. In fact, the studio owner said he would rather tell most to just say they don’t have a demo reel instead of showing what they do have. This is encouraging! For actors just starting out it seems that we have a higher quality of level of demo reel material with better production value and stronger performances. This may be because most actors out there can only do student films for non-union work or book extra work which really isn’t applicable for a demo. I received multiple compliments from LA contacts including above-mentioned studio owner and this is just my first go at it, but it is a HUGE relief to know I’m moving in the right direction in regards to my footage.

Demo Reel: http://www.youtube.com/watch?v=sa2Wct0EIJk

Also, not to go too mom or conservative nun on anyone, but oh man is the threat of ending up in porn real for attractive women! I was just talking to Nicole Randall about how legit agents and managers out there actually take issue with you or even won’t sign you if you’re not willing to do full nudity. And the opportunities are ample if not virtually everywhere – like every third person you meet shoots porn. They are always extending offers, the money is usually decent and the promises usually sound really, well promising. Just say no to being a ho. This is a career shift that you can’t easily retract or redirect off of that path and if you have a sensitive moral conscious, it may not be one that is easy to let go of either. It can seem hard to decipher at first because again, like I said, a lot of legit film and filmmakers out there feature nudity or explicit sexual content which is very different than our local scene where this is a rarity, so all I can suggest is to trust your intuition and listen to that all-knowing inner voice. If you don’t feel a peace about the project or the people involved don’t do it.

Don’t make the mistake of assuming that just because you’re in LA that every opportunity is legit. There are still scams out there; places that have no deeper invested interest in you than to empty your pockets, fraud agents and directors or filmmakers that aren’t nearly as big as they claim they are. Lucky for us in the age of technology it is usually just one quick Google search away from discovering the truth. Don’t also make the mistake of assuming that just because an actor is from LA they are a good actor or that by moving to LA you will suddenly be a better actor. They are just an actor that happens to live in LA and so now do you. LA does not have an magical powers to instantly convert you from sucky to award-worthy, it is just a land filled with vast opportunity. It is still up to the individual to take advantage of what is available and work on their craft. Once I understood that, the environment became a lot less intimidating. Truth is, there are a lot of bad actors out in LA. So I figure I have to be better than at least half of them, right?

Here’s another little golden nugget that got exposed, with all that bad floating around out there, you will be considered a hero if you walk into an audition and you are actually good! The casting agents will probably feel like giving you a crown and a cape and a bouquet of fresh daffodils and daisies. Why? Because they want you to be good, in fact their job depends on it. They have to go to the production team and show that they have secured quality talent, if they can’t do that then it is their butt out the door. As soon as their current film ends, they are scrambling for their next project just as we are and the more they consistently prove their worth and ability and finding good talent, the more they work and trust me, they want to work. So change up your perception a little bit and don’t see these guys as judges with sourpuss expressions and powdered wigs waiting to condemn you, look at them as fans cheering you on in the stadium hoping that you’re going to knock it out of the park! Again, a lot less intimidating. 

Well, I feel like this post was thoroughly weird, but I have to admit, I don’t feel as defeated after writing it so I’ll consider it a form of self-therapy. Anybody want to take up that idea of writing a “Newbie Moves to LA” book because I would love to have that available. Any takers? Anyone? Come on … Until then, I’ll continue to stretch my legs a little bit, dip my toes in the water and refuse to stop growing as an actor and as a human being. Through pain comes healing, through fear bravery is born, through adversity character is built and through exploration of unknown territory comes discovery of untold treasures.

 

 

Will the real critic please stand up? Oh wait that’s me!

big redPhoto by G Rockett Phillips

“You cannot discredit truth. Truth is truth, and it can neither be proven or disproven. It simply is. The wonder and beauty of my message cannot and will not be affected by what people think of you. Indeed, you are one of the best ambassadors, because you have lived your life in a way that you call less than perfect. People can relate to you – even as they judge you. And if they see that you are truly sincere, they can even forgive you your ‘sordid past.’ Yet I tell you this: So long as you are still worried about what others think of you, you are owned by them. Only when you require no approval from outside yourself can you own yourself” – An uncommon dialogue – Conversations with God Book Three by Neale Donald Walsch

This was God’s answer to Neale when he beseeched God to pass the torch to someone else to deliver the message of what God wanted to communicate through him in the form of the written word, because he felt too unworthy, too imperfect and that his history would taint how the message would be received. I related to this, in fact my gut flipped over and my innards cried out in glorious symphony that they knew this internalized self-torture all too well.

There is a song and a prayer I listen to and murmur regularly throughout the day “Break every chain.” Spoken words of others, condemnations, bad energy, darkness – all very really things that can create a virtual prison or holding tank for our souls. We cannot create when we answer to others, we are not free when we answer to others and we are not who we are fully intended to be when we answer to to others.

I kept seeing this quote float around the internet by Johnny Depp over the last several weeks:

“Just keep moving forward and don’t give a shit about what anybody thinks. Do what you have to do, for you.”

At first I thought “Shit yes!” and then I thought “Well how easy is it for HIM to say that? He’s Johnny freaking Depp?” It wasn’t always easy for him though. Like so many of us, he had to make the difficult journey to stardom, struggling with poverty, raising a family, taking risks that most would probably consider unwise or irrational considering his worldly responsibilities … but he did what he said, he kept moving forward and gave not a single shit about what anyone said or thought. Ok, perhaps he gave one shit, I mean the man is human after all,  but not a big enough one to let him stop moving.

Nearly everything I do in life, I do it with the expectations and possible judgements of others in mind. Should I post that picture, people might think it’s too sexy? Should I take that role, people might think less of me? When someone is mad at me or things are in turmoil, it may as well be the end of the world to me. Not being liked or wanted is probably one of the worst things to me – it consumes me. It does not matter if it’s my mother being disappointed in me for spending the night at a boy’s house even though I’m a 27-year-old woman or if it’s a complete stranger who just looked at me oddly for a passing second in an elevator. My moods, my self-worth are completely dependent and determined on outside circumstances and I suffer for this. There lingers a disturbance in the force that disrupts my workflow, my thought-pattern, my emotional responses and my focus.

Most people don’t perceive me this way. Why? Well because of the billion pictures I post of myself on FB and all the talking up I do of my own work, so clearly I must be a confident if not self-righteous diva? Rubbish. The only reason I started an Instagram account was to deal with looking at my own face. True story … when I joined pretty much everyone was posting pictures of their faces or food, not really a whole lot has changed, but I mean that was literally all you’d see. So I thought to myself one day that I would force myself to take a picture every day, post it and look at it. Sure enough it got easier and easier to accept seeing myself. Now I don’t cringe every time there’s not a photoshopped, professional photo of me flying about the highways of the inter webs. One small step toward victory of self-acceptance. But did anyone else perceive it that way? Probably not. Should it matter how they perceived or received it? No, it shouldn’t.

I fear that if people knew just how little self-confidence I had they would be shocked. I took a new age approach the other day and I said that every morning and every night I would stand in front of the mirror and stare into my own reflection and say the words “You are beautiful. You are worthy. You are deserving of love.” I got through that just fine but as soon as I attempted to switch the word ‘you’ to ‘I’, I couldn’t do it. The water works started and I wept as I forced myself to say those words, lips quivering, chin all crumpled up like a tossed love note wadded in an unwanted ball in the trash, eyebrows pinched together with tension … and as soon I did finally finish stumbling through the mantra (it felt like it took 10 minutes to say 11 words) I let my head drop into my hands and I cried for the lie that I told. I just lied to myself. The only thing that brought me out of this Soap Opera drama moment was the fact that I immediately thought of the youngest son on “The Middle” who after he tells a lie he puts his head down in shame and says aloud in a whisper the lie. Ha … oh sweet comedic relief. Brilliant.

https://www.youtube.com/watch?v=FTflLZcUea8

So many of my issues go back to the way that I was raised. There have been scientific studies done that our brain is trained to interpret love, the acceptance and receiving of it, as well as self-worth and self-image in our first through sixth year of life. We don’t even have to maintain the exact memory of what caused these associations, but your brain literally takes an imprint of the chemical reaction that was released when you originally processed the situation and it stores that away into a file so that every time you are faced with those feelings of love, acceptance, etc; the same chemicals and hormones are released. This creates a pattern, which determines our behaviors and views on love.

What is interesting is that it is often in our areas of weakness that we are able to bring the most strength and healing to others. Many people who suffer from extreme physical and medical conditions are some of the most powerful prayers and healers of illness that I have ever witnessed. The women in my spiritual healing class are an ideal example of this. Karen, our fearless leader, suffers from chronic pain, has had several bouts with cancer, almost died from believe it or not allergies, and the list goes on, but she has had one of the most incredible ministries working with terminally ill cancer and HIV/AIDS patients and has seen countless miraculous healings. Dr. Souki, a former prostitute, drug-addict, alcoholic, criminal; travels the world-changing the lives and hearts of victims of sexual abuse, victims that may have died without her testimony or known worse fates, but I just learned that she herself still deals with depression, health complications and suicidal tendencies.

So why are they chosen to give such messages of strength to the masses? Because they are open. Because they have love and compassion despite what they were exposed to. Because they are and represent the masses. They are no better, no more perfect, they are just empty vessels asking God to replace all of the damaged, broken places with his love so that they may share that love with others.

I worry, always that my past mistakes will come back to haunt me. That one day I’ll awaken to the mob of accusers at my front door and be thrown into a public interrogation of who do you think you are questions before an even more public execution. I worry one day someone will say how crooked my nose is or how short I am and how I have no right to model. I worry one day people will expose my history of adultery and use it against me to say I am not good person. I worry that people will figure out that I’m not really a good actor at all, just somebody totally in love with doing it …

Love – love makes things possible that otherwise wouldn’t be. I’ve been working on a feature lately and I will say this quite honestly. My worst work is when I go in my head and begin to question if I’m doing it right, if I’m remembering my techniques, if I’m acting as good as so-and-so, if people will like it, if I’m being too dramatic or theatrical. It is when I let go and follow my initial gut impulses and act from the heart, that it is pure. It is then that I trust my own work. It is very similar to getting in touch with your inner or lost child. Children have no per-conditions or hesitations about responding. If they are scared they scream, if they are tired they yawn, if they think something is silly they laugh, if they are afraid the cry … It is not until they are told by the world that these actions, these natural responses are not acceptable or appropriate so they learn masking techniques to cover those responses and behave as a mature, cultured adult should.  Such a shame. Acting is in most all cases, responding honestly, so how can we make that delivery if we are not honest with what we feel in that moment and our brain is bombarded with worries or concerns about how we will be perceived?

There have only been 1-2 roles where I felt I was able to be honest 99% of the time and I have to say,  when I heard negative criticisms or not the best of reviews, it did not affect or phase me in the slightest. I was sure of what I did and I understood the core of where it originated from. Mr. Critic doesn’t have to like it, I do. It’s me and it’s honest.

Critics, everyone is a critic. Here is the definition of critic:

Definition of CRITIC

1
a : one who expresses a reasoned opinion on any matter especially involving a judgment of its value, truth, righteousness, beauty, or technique

b : one who engages often professionally in the analysis, evaluation, or appreciation of works of art or artistic performances

2
: one given to harsh or captious judgment

Origin of CRITIC

Latin criticus, from Greek kritikos, from kritikos able to discern or judge, from krinein

First Known Use: 1588

I had an interesting conversation with a fellow actor last week about how nobody prepares you for receiving comments regarding your work, good or bad, it can be an awkward or uncomfortable thing.

When people praise you, you always wonder if they are just saying that because they don’t want to offend you or hurt your feelings or maybe they weren’t even really paying attention. Or even if they do come to you with sincerity, how excited should you be about it? If you go too far you could be labeled full of yourself or proud or cocky, but if you are too modest you can be labeled insecure or unsure of yourself.

When people do come to you, or you hear of negative comments said behind your back or perhaps it is public review, again, how do you respond? How much stock do you take in their criticisms? Usually there are constructive bits and pieces that you can take away and use to better yourself, but there have been reviews that have totally wrecked actors’ careers. A lot of sensitive souls can’t stand all of the backstabbing that takes place because they take everything for face value – clearly if they said it, they meant it. We often don’t take time to consider their possible perspectives or angles coming from jealousy, envy, pettiness, competitiveness or any other such lowly places. How easily and freely too we allow people to act as critics and assign value that they do not possess to our attributes.

It doesn’t get easier, at least not for me. I cringe and get butterflies, no that’s too pretty of a term, I get downright sick to my stomach when reading reviews of my films or when I invite people to come see my work but I have tried to get into the habit of keeping several key pieces in mind.

1.) You cannot please everyone. I used to think that if you are good, I mean really stinking good and phenomenal at what you do, no one can dispute the fact that you’re good. Sort of like the quote about the truth from above. Not true when it comes to acting. I for example can very much respect Mr. Leonardo DiCaprio and acknowledge the fact that he is a talented actor, but I personally am not his biggest fan. There is something about his style that doesn’t quite appeal to me. Clearly that does not mean that he is a bad actor nor that I even think he’s a bad actor, just given the choice between him or Javier Bardem, I’d pick Bardem every time. His acting style appeals to me. This is my opinion which will clearly differ from yours or his or hers.

2.) You are you and no one else acts like you do. So often I’ve had someone come up to me and make comments like “You are a really good actor but I thought you were crazy emotional in that one scene.” or “Why didn’t you cry in that scene?” It used to really bother me because it felt like I did something wrong, but there was this day that I was working on accents with Michael Alvarez and listening to a practice CD and he gave me a really cool word. He said that when he first started practicing accents it used to really bug him because he didn’t sound like the guy on the CD no matter what he did, and then one day he realized he never would because that is just his voice. Nobody else has his voice and nobody else will sound like him. You take the technique and you make it your own. This same philosophy applies to full performances. Just because my friend Sarah would have broken down in full tears on a scene doesn’t mean that I would. I acted honestly for me and that is all I can do. Often times you look at the greats and it is those slices of them that are so uniquely them that shine through in their work and set them apart from all others. I’ve watched so many actors give safe performances and I find myself using the word “generic” to describe their choices or “average”. They weren’t bad, but there was nothing special about what they did. Don’t be afraid to let your you-ness come out in all of its glory. Be bold, be strong, be unapologetic with your work.

3.) Very rarely do people write bad reviews without being specific about what it is they don’t like. I read them a dozen times sometimes looking for things I can use to improve, but the truth is, you have to be honest with yourself about well … yourself. I am my own worst critic, even more precise and exact than the toughest of critics. Nobody knows me better or is closer to my work than me. I can watch a scene and in a matter of seconds pick out 10 things I could have done differently to make it stronger that most people wouldn’t give a second glance to, but it blasts out at me like a rocket catapulting into my brain. This used to torment me because I felt like I failed, but now I am just grateful for these opportunities and I am extremely open to watching my own work, because I can take those things and apply them to future work. For example on indie sets out here we often don’t have a person dedicated to continuity, so that is something I have become particularly aware of now because I’ll watch myself and notice my nails were long there and short there, or I had my hair one way in this shot and slightly different in another, or even my boobs will look bigger depending on what bra I wore under wardrobe that day … little nitpick things that can make subtle but firm difference in the character. Physical acting has never been a strength of mine so when I did a short recently I really dissected it and the choices I made of why it didn’t fully translate the way I had hoped. Most of them were really simple fixes, small movements, but I just wasn’t aware of them until I had to work through them

4.) Which brings me to this point – learn by doing. Never be afraid to take a role and never apologize for your work. Put in the time, the research, the training, the effort to be as good as you want the role to be. After you see the finished product, it is a very useful tool to reflect on what worked, what didn’t, what to prep better next time and so on, but as long as you gave it everything you knew to give, there’s no reason to feel ashamed of your work and you simply have more tools to show up with the next time around. Einstein as well as so many of the other great minds understood that you learn from failures. Even if you fail one hundred times, you just learned 100 ways how not to do something … but DO IT. Classes, training, coaching, that is all really crucial to growth and development, but there is nothing like being thrown into the trenches and fighting for your survival as an actor.

5.) Trust yourself. One thing Kevin Phipps told me once when I was nervous about delivering a desirable performance, is that he cast me because he trusts me completely. You already have the role, someone gave you that gift of trust, so honor it. They didn’t hire you to act like someone else or give a performance similar to another actor, they hired you to do what is that you do.

6.) Be gracious. Be awkward. Be whatever it is you feel, just be sincere. I hate it when people pretend like they are bashful when receiving compliments when you can tell they are just eating it up inside, but I LOVE it when you compliment someone and they are genuine in their response. I have a few friends that are not what I would say “business-oriented” so when you talk to them about their work it’s not all cookie-cutter bullshit – if they are surprised you like their work you see the light in their eyes start to glimmer and they start to bumble up their words out of excitement or if they truly felt like they did bad, they’ll say it “Wow thanks, I didn’t feel too confident about that one, but I’m glad you enjoyed it.” It’s refreshing. Think too about meeting celebrities, how much of a turn-off is it when they act like they know how awesome they are and are dismissive of your adoration? But then you talk to someone like Guillermo del Toro whose heart is probably as big as his tummy, and you are overwhelmed with appreciation for how much he appreciates you – little, nobody you, for no reason at all other than the fact that you took the time to tell him how much you love his work because he understands that if it weren’t for you loving his work, he wouldn’t have any work at all.

7.) Not everybody is a critic. They may think they are. They may act like they are, but they are not. Critics are meant to be a people of fair and equal judgement for a purpose of assigning worth and evaluating; not a furnace of a personality waiting to fire up the BBQ and pick your bones dry. There are such critic, yes, but they do not work toward improvement or the common good, so their assessment is simply not needed. Do not give people that power over you. Trust, listen, reflect and make changes based on only those whose opinions you value.

The more I put these blogs out here, the more I promote myself, the more work I do, the more critics I get. Just last week I found out that some folks apparently had some not very great things to tell a local, well-respected director and it has been parading around in my noggin every since. Who are these mystery murderers of my career? Why would they say those things? What did I do wrong or what did I do to them? Then I started thinking, how am I supposed to survive out in a big, competitive, cut-throat market like L.A. when I let someone in a local scene so easily pull on a thread and unravel my sweater?

I won’t. A shift and a change is needed. I need to stop putting others thoughts, opinions, words and feelings above my own. This goes against so much of what we are taught because it is seen as selfish, but if we always choose our highest self – the self that is in fact selfless, honest, kind, brave, and truthful, then in walking such a path, we will in turn be a positive force of light and love to those around us as well as ourselves because in our highest truth there is no desire to hurt another or ourselves, there is no desire to lie or deceive, there is no desire to cheat or to steal from another, there is no desire to degrade or devalue – it is not a commandment, it is just self-evident.

I want nothing more than to like myself, more than I want you to like me. Because if I can’t like myself, why would I believe for a moment that you would like me? It all starts from within. My acting is always about birthing a character from internalizing and evolving it from the inside out. If I put the same amount of effort of creating a film character into developing my own personal character, it would be an ultimate mastery of the self. No more using social media for validation, no more comparing myself to the beautiful people, no more ripping myself to shreds when a negative word is spoken or glare thrown in my direction, no more underestimating my own abilities or passions. Again, with love, with God, all things are possible. It’s like I have all of these holes in me from where I’ve let people penetrate my spirit with their cruelness, intentional or not, and instead of trying to cover them up with band aids or pretending they don’t exist at all, I want to fill them up with love of self. Let’s let go of our transgressions, let us release the negativity, let us loose ourselves from the bonds of the expectations of the world and let us take a walk on the water.

What is the difference between most actors and a street professional? We don’t usually get paid for acts of passions

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The Angel – Bot Photo by Kevin R. Phipps

We do a really weird thing in our culture. There have been studies done and observations made by far more insightful and intelligent beings than myself that we as an American culture specifically, intentionally deprive ourselves of healthy pleasure or correspond them typically to sin or that which is forbidden and undeserving.

I use sex for examples quite a bit I’ve noticed, Aries are naturally sexual beings, but I also think it is applicable because at our carnal nature, we are created to be sexual beings. But look at how we handle our young when they start to discover their own bodies and feelings of pleasure. Most parents discourage their children from masturbation or verbally communicate messages to them that associate the behaviors with shame or something that is socially unacceptable. This is highly contradictory because these feelings of pleasure are completely natural and organically generated, but we are taught to stifle, suppress and not explore these sexual urges. This in turn often creates so many issues ranging from unhealthy fetishes, fear of sex, taboos, etc. There are so many alternative ways to handle the situation in showing our children to celebrate the wonderful gifts and joy our body provides us, while doing it in a safe and appropriate way.

This belief system is carried over into so many other realms of our practiced standards. For example, if you love something, you daren’t ask money in return for doing what it is that you love because that would be blasphemous. It would no longer be a labor of love, but a shallow attempt to make a buck off of something you should be willing to do freely and openly while asking nothing in return. Money itself is associated to evil or belonging to the ways of the world. We look at pastors who make profits and other wealthy individuals often as being selfish, shallow and self-consumed or at the very least, not following a genuine path.

I started to question why we automatically associate those negative classifications to folks with a big bank roll and a lot of it is quite simply, I feel, that most experience these feelings out of envy. But I dove in just a bit deeper…. Don’t I usually…

I have just as much freedom, just as much opportunity, just as much skill set and drive to make the same amount of money as any A-lister, athlete, politician or high-paid professional out there, so why am I blaming them or having bitterness toward them for accomplishing what I have not? Why does it feel like it is somehow their fault that I am lacking while they are just smothered in wealth?  Quite frankly, because the idea of making money doing what I love seems outlandish to me, if not nearly impossible. Acting is unpredictable, the jobs are sporadic, the payment is often low when first starting out and the odds are stacked against me for making this a full-time career unless I opt for the whole breast -implants and hope I run into the right person at a LA club on a late night kind of route.

If you believe that Neale Donald Walcsch actually did have a divine encounter with God or if you even just look at billionaires or millionaires who were self-made you will see that the same trend is evident – You have to make the choice to just do what you love and not worry about the money. As Nike says, “Just do it.” When you do what your love, follow the true purpose of your soul and trust that you are doing everything in your power to fulfill that purpose, the money will come. Often this requires you to take a great risk because you literally may be starting off with nothing and that feels so opposite from what we have been conditioned to do. I can’t help but think about computers that were originally built in someone’s garage and now are one of the top companies in the world that people can’t imagine living their lives with out or animation and newspapers that started as modest printing presses with one or two people busting their asses to do everything for 20 people to read it that are now international publications and household brands. What made them think they could do it?

Whenever you embark on anything we are taught to be prepared, be educated, be in a good financial situation – all good advice, but when you let those things, those material, conditional things become hindrances to you instead of enablers, that is when it is better to step out into the void and make something out of the nothing because like greats like Charlie Chaplin know, you might as well give all you’ve got because when you’ve got nothing, you have nothing to lose and everything to gain.

I had a professor from Whales talk about various artistic revolutions and liberation movements take place across Europe during the avant garde period, and that was the one common thread. These brilliant, bold men and women had their rights, liberties, homes, money, everything stripped from them a lot of times so they had nothing left to do but create. This is our purpose after all, to create and remember who we really are. It is when we deny that of ourselves, that there is suffering.

Even in the Bible there is a famous story where one man asks God what he needs to do to get into heaven and God tells him to let go of all his worldly possessions and come follow him and it says the man was very sad and went away because he had a great many things. I don’t think this was meant to say that rich people are less deserving to get into heaven or less capable, but I do think it means that when you align yourself to the path of making money and not align yourself with the path of your heart or passion, you will always be chasing the next dollar sign instead of filling your soul’s bank with satisfaction.

I mean think about if you didn’t have a job or maybe even a car or a place to live for a time being. Think of how hard you would work to be the best actor you could be, yes because you need that roof over your head and a next meal, but also because it is your livlihood, it is your only way, your only source to getting both what fills your soul and your pockets. You’d spend every waking moment working on your craft, finding opportunities, developing your skill instead of standing behind a podium asking “How many in your party today?” It requires a lot of letting go.

As the film “Life of Pi” says, all life is a journey of letting go.

I was praying about that the other night along with a few other things in my life and I so strongly felt God say “Melissa, you are so afraid to let go because you don’t know what will happen in that void, what will exist in that distance and in that space away from what you hold in your controlled grasp, but don’t you understand that I am the space between? I am in the void.”

This sort of feeds into two opposing universal truths that work symbiotically together in our benefit.

1.) The universe takes care of you without you even having to try. Yes, I’ve read Voltaire’s Candid and know that their are some unfortunate souls out there that do no wrong and still can’t seem to catch a break and randomly get struck by lighting or some other horrible freak occurrence, but for the most part in my experience, I have found that it is in those times that I don’t try, that I surrender my will to the ways of the creator that he has this funny little plan devised to make it all work. I don’t feel and I don’t recognize it in the moment, sometimes it’s not until years later that I reflect back and think how funny it is the way life works out while other times the gratification is more instant. None the less, there seems to always be this underlying road map, unawares to me, that no matter how hard I try to tug my mental wheel this way or that, their is this spiritual compass keeping me right on course. During those times of nothingness and emptiness and despair, God is in that space, filling it with abundance yet for me discover.

2.) Where there is a will, there is a way. When I said surrender earlier I did not in any way mean give up. Surrender to the human language is such a weak term, but we are built to surrender our limited understanding and scope to the great visions and powers of the universe. By surrender, I simply mean that I allow myself to follow that little inner voice no matter how irrational, unpredictable or unreasonable the situation may seem. The whole world may be advising me to do something different or move in another direction, but every time I deny that little voice, I just get blown a little off coarse and it takes me more time to return to my divine path, but every time I honor that voice, something incredible usually happens. The more I pour myself into surrendering to that cause, the greater the reward. This takes a lot of discipline, a lot of self-realization and a lot of faith.

So how does one go from living a normal life to living one fulfilled?

I don’t know, I was hoping you would tell me… Ha! It just takes a little bit of conviction and making some choices.

In the local Arizona market it is almost unheard of for an actor to have a contract, but this is something I highly suggest especially if you are not represented and under the protection of an agent or a union. This is also is an effective way to avoid any unnecessary awkwardness when negotiating terms for future projects. When you are approached by someone to do a film I always ask to see a full copy of the script with willingness to sign a non-disclosure agreement of course, and if I am not familiar with the party or have not worked with them previously and I am still interested in working on the film after seeing the script I simply say, I have sent you my contract with my terms please let me know if you have any questions. Usually this includes a flat rate for payment, that a copy and/or footage must be provided and other basics.

If they are not able to fulfill those terms or request perhaps a lower rate to hire or something like that, that is totally fine, but at that point then it is my choice to accept it or not based on varying factors, but at least they are made aware immediately that I am a professional, that I expect them to treat me as, and that I expect that to act as professionals as well and follow-up accordingly. I think it is simple shifts in regular practices like these that can more quickly evolve the Arizona industry from a hobbyist state to a more professional environment. A least it would be perceived that way, and oh is there power in perception.

I will be the first to admit that I’m not a big fan of some of the casting pages on Facebook for Arizona because it is irritating to me. Young filmmakers, first-time directors, people in a pinch, etc make a post on A SOCIAL WEBSITE looking for actors or crew and suddenly they’re publicly slammed with questions like “Is this paid?” or they get hit by nazi page monitors asking for specific details in order to just keep the post active. This may sound contradictory to moving toward making things run more like a business, but my personal belief is simple. Facebook is not a business nor is it a business page, nor is it a place to conduct business – it is a social platform to get the word out. This is not a paid casting service and those participating should not be expected or required to act as such when be handled by internal members of the community.

Good Faith Casting, for example just switched to a system where they are no longer sending out email notifications but asking their base to follow them on twitter or Facebook to continue to receive information. Why does this work – because they are a trusted, established source that deals directly with the clients, has full access to that information and already has the flow and rhythm of what is required to make the page run like a well-oiled machine. She has someone who runs the page for her, similar to running any other website, not some rando with a God-complex calling shots or laying down he law on fellow peers. Come on, handle the business in private through direct email correspondence with appropriate contacts. I realize that the general public might be wondering some of the same questions, but the truth is, the director may be willing to pay so and so a small amount of compensation to get him/her on board because their work is solid and may increase value of the performance but maybe he isn’t so willing to offer compensation to the other dozen people who respond to the post. Ever think of that?

We do have Durant.com, in addition to GFC as well other professional services where certain information and criteria are and should be required, but other than that, I say let there be freedom! Seriously, it all just looks silly.

The other component is that it is hard to break the cycle of working for free when you’ve done X number of projects without pay. In fact, I don’t know if I’m airing a dirty little secret or if this is a well-known fact already, but most production companies here locally have a list of people to contact because they know they will be able to hire them for free. This is not a good thing. To me that’s like saying why would I go pay for a good quality cup of coffee when I can sneak into the hotel lobby across the street and steal a cup for free? Definitely a sure-fire way to get your reputation burned. Don’t you know you are worth more than that! You are not only giving these people your time, but you are giving them your most prized-possession – your heart and your craft. Only you can do what YOU CAN DO. You are a rare and precious commodity, don’t let anyone sell you short on that. You would never not pay a heart surgeon or a plumber for providing one of their services, would you? Acting is yours, own it.

A lot of actors have a fear about not working regularly if they start refusing free work because let’s be candid, there isn’t a whole hell of a lot of paid film work out here. They also worry that they will not be perceived in a good or favorable light, but I have this point to express, using judgement call and devising a business plan to make your passion profitable is not ungrateful or rude, it is smart.

Use your discretion and be selective on which projects you are willing to do for free – will it enhance your demo reel, will it put you in contact with someone you have been wanting to work with, will it provide you with the chance to develop a character role that you had been wanting to sink your teeth into, will it provide you good exposure? If there is a benefit to it, then by all means do a free project here and there, but don’t make that your standard going rate. You know what they say, you get what you pay for.

That is one of the core issues about our local industry, there is no way to sustain a long term career here as an actor. Months can pass in between projects or auditions you are interested in taking and often times even when roles do become available so many people jump at the chance to do the work because they are desperate to get their fix, that often they allow themselves to work with people of questionable moral, ethical and professional standing and get taken advantage of because they are just so hungry for it. Once it ends, it ends and more months pass by until another opportunity presents itself and you are left with nothing to show for it, not a paycheck, not a completed film, not anything except usually a youtube link and if you’re lucky an IMDB credit which at some point you may debate removing from your profile because of it’s questionable nature, but for now, it’s an old notch on the belt. How’s it feel to sell yourself so cheap? I can answer that because I’m guilty of doing it countless times, it feels lousy.

I was talking to a local director who said that what became extremely obvious and evident to him when directing a set with both LA talent and local AZ talent on board – was that it wasn’t necessarily that the LA actors were more gifted or better than local actors, but they were immensely more easily direct-able. Why? Because they do it every day, they work every day or audition every day or take classes and train every day.

He suggested, oddly enough within the same week of meeting a background actor on the set of Grief that had the same idea, that instead of charging people obscene prices to join an acting class or receive training from mentors, that we form a group and practice working together on monologues, scripts, improv, etc. While I do think this to be a wise idea, especially in theory, I do think that you will need some level of expertise or at least honesty involved in order for that level of rehearsing to be effective. If we are lacking that all-knowing figure then it will be like FB goes real-life in falsely claiming that everyone is so wonderful when they aren’t really so wonderful. And then will come the questions, well who are you to tell me I’m not wonderful? I just filmed with you last week and I though you stunk up the joint.

I can see the egos flaring even now. It has to be more of a consortium. There were times when artists, actors, writers, musicians would all live in the same quarters sharing meals and lives together in close proximity. It was like a collective consortium of creativity. It would have to be like this – all ego removed, all art, all good energy, all constructive. Are we capable of such a thing? I would like to think so and I’m interested in trying to coordinate such a thing if anyone else is game.

Perhaps this would all be good concept for a class – The Business of Being an Actor.. We could find someone who is willing to share tips and expertise in how to handle things from a business perspective to ensure that we are doing everything we can to reach our financial goals, reach our potential as professional actors and not settle for anything less. It could start with basics of resumes and networking to what services to pay for and what to forgo, to how to draft a contract, and explore why here in AZ we don’t have managers or PR Reps and do we need them?

The one thing that I do know is that as an actor, I will no longer be lurking in the shadows, hanging out on street corners and giving myself away for a payoff that never comes. I can think about each and every person I have shared a stage or set with and look you dead in the eye and tell you the same thing, you have value. You have worth. You are a gift. I can’t take responsiblity for anyone else or their future nor can I force any other individual to change how they conduct themselves or their business, but I can be the change that I want to see.

How to become a celebrity – The answer might surprise you – All you have to be is you.

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I have interviewed quite a few celebrities in the past year as part of my journalism background and I keep searching for some common thread. It is about as scientific as I’ll ever get, hunting for some pattern or secret formula that I’ll be able to piece together based on their responses, backgrounds and professional paths. It’s a good thing I didn’t have a hypothesis and even better that I didn’t place money on it because in the world of entertainment it seems that all bets are off! 

So far I’ve interviewed a 20 yr. old actress that started acting at the tender age of 2, has a mother that owned a theater and only does family-friendly material but still manages to have more credits to her name than most 40 yr. old actors and I’ve interviewed those that lucked into it by randomly winning nation-wide talent contests or stumbling into the right place at the right time with the right people. Some of them have had the best training, private coaching, formal education and an immaculate track record for flawless progression from agent to commercials to featured extras to featured cast to starring titles wile others simply sky-rocketed after landing an Indie role or catching the attention of a prolific director. 

At first I was frustrated by this observation of chaos, and then I started to think, how cool is that? I get to pave my own way in! So many times I’ve stopped myself from going to LA because people have told me that you have to have a YouTube following of X number and an X number of Twitter followers and you have to have your own website of course and work with these agents and at least have these many credits and a star meter of a billion on IMDB and blah blah blah blah blah… Really? I mean let’s be honest, do I really? 

I’m not showing skepticism toward the concept of working hard and showing commitment. I understand the reasoning behind it – agents & managers want to see that you will make them money. This is a business after all. If you already come to them with a strong brand and large audience, that means less work for them and it means that you know how to market yourself and will be willing to do what it takes to get work. When you book, they get paid and we all like to get paid. I do follow the standard in that I continue to add diligently to my body of work, I do indeed have my own website (this here blog) I have a decent amount of Twitter folk and my IMDB page is expanding nicely, but here’s my thing, and maybe I’m a purist, to me TALENT is TALENT. 

You can’t argue long enough or show me any evidence to convince me otherwise. You can place a beautiful girl in front of me all day long with thousands of fans and a portfolio as thick as the yellow pages, but if I don’t feel that fire in my soul when she performs but a nobody from Kansas walks in and knocks my socks off, who would I cast? If I were a true artist, if I had a passion for creation and quality, if I had integrity and pride in my work, I would cast little nobody Dorothy and trust that the right audience will be drawn to her. 

Those are the kind of people that I want to work with and the type of career that I strive to have. I have deleted some of the most popular “directors” out here because I cannot stand the joke that they try to pass on as art. If you want to make a soft porn or a T&A action flick, fine! Go for it! Rock on! But don’t try to sit there and try to call a weed a rose, it is what it is. You got a fat check for it and nobody blames you for it, so don’t try to validate why your film showing in Asian markets starring a porn star is a legitimate piece of art. And more than that, do NOT make me feel like I will miss out on opportunities to develop or further my career because I won’t work with those types of directors, or because I won’t take on any and every project that gets posted on a casting website or because I won’t do free work over and over again just to have 37 films completed in 1 year. Who is seeing them? 

This is a business, but as an artist, this is also my life. This is my passion. This is my heart. I wear it openly and freely for all to see which has kicked me in the booty a few times, but I’ve learned this year that saying no, is not the end of my career. That signing with a boutique agency instead of a massive heavy-hitter because I had a peace in my gut about, is not the end of my career or limiting to me in any way. That not having thousands of Twitter followers real or purchased, will not be a doorstop to my career. That having personal standards as to the kind of work and the people that I work with will most definitely not hurt my career but instead mold it into one that I am proud of. 

I realize that perhaps my original intent my have gotten lost in the heated rambling, but my point is (I shall shamelessly steal from Shakespeare) Actors, “To thine own self be true.” Trust your instincts, follow your heart, live and act in love and you can’t fail. When you read suggestions on how to succeed in this business, talk to other actors or mentors and even now as you read my blog – be open but understand that these are all learning points. You can choose to use them or not based on what works for you. Their path is NOT your path, and what worked for them may not work for you. Just because they worked with so&so director or got their headshots done at a particular studio does not mean you must follow in their footsteps. Pave your own path. Being an inspiration to all those people out there who inside are saying “I want to act but this just doesn’t feel right to me.” When you honor yourself and your spirit, success, beauty and true worth always shine through. 

I am a testament to that. Almost ever opportunity that has come to me has been something that the universe presented to me based on my choices of a collective lifetime, but any time I have tried to manipulate or pre-determine a certain outcome, it usually is never as fulfilling as I had hoped. And that is what we are all really after isn’t it – to be fulfilled? 

So cheers to you on your brave new adventure! I will tell you that some of the resources I do love and regularly learn from are use as resources are:

Durantcom.com – Casting notices

Arizona Actors Page on Facebook – Casting notices and stay current w/ what other AZ actors do

Backstage.com – Great articles

Castingnetworks.com – Awesome monthly newsletter filled with tips from industry experts 

The Examiner – Their film reviewers, particularly Bill Pierce are poignant and honest