I have interviewed quite a few celebrities in the past year as part of my journalism background and I keep searching for some common thread. It is about as scientific as I’ll ever get, hunting for some pattern or secret formula that I’ll be able to piece together based on their responses, backgrounds and professional paths. It’s a good thing I didn’t have a hypothesis and even better that I didn’t place money on it because in the world of entertainment it seems that all bets are off!
So far I’ve interviewed a 20 yr. old actress that started acting at the tender age of 2, has a mother that owned a theater and only does family-friendly material but still manages to have more credits to her name than most 40 yr. old actors and I’ve interviewed those that lucked into it by randomly winning nation-wide talent contests or stumbling into the right place at the right time with the right people. Some of them have had the best training, private coaching, formal education and an immaculate track record for flawless progression from agent to commercials to featured extras to featured cast to starring titles wile others simply sky-rocketed after landing an Indie role or catching the attention of a prolific director.
At first I was frustrated by this observation of chaos, and then I started to think, how cool is that? I get to pave my own way in! So many times I’ve stopped myself from going to LA because people have told me that you have to have a YouTube following of X number and an X number of Twitter followers and you have to have your own website of course and work with these agents and at least have these many credits and a star meter of a billion on IMDB and blah blah blah blah blah… Really? I mean let’s be honest, do I really?
I’m not showing skepticism toward the concept of working hard and showing commitment. I understand the reasoning behind it – agents & managers want to see that you will make them money. This is a business after all. If you already come to them with a strong brand and large audience, that means less work for them and it means that you know how to market yourself and will be willing to do what it takes to get work. When you book, they get paid and we all like to get paid. I do follow the standard in that I continue to add diligently to my body of work, I do indeed have my own website (this here blog) I have a decent amount of Twitter folk and my IMDB page is expanding nicely, but here’s my thing, and maybe I’m a purist, to me TALENT is TALENT.
You can’t argue long enough or show me any evidence to convince me otherwise. You can place a beautiful girl in front of me all day long with thousands of fans and a portfolio as thick as the yellow pages, but if I don’t feel that fire in my soul when she performs but a nobody from Kansas walks in and knocks my socks off, who would I cast? If I were a true artist, if I had a passion for creation and quality, if I had integrity and pride in my work, I would cast little nobody Dorothy and trust that the right audience will be drawn to her.
Those are the kind of people that I want to work with and the type of career that I strive to have. I have deleted some of the most popular “directors” out here because I cannot stand the joke that they try to pass on as art. If you want to make a soft porn or a T&A action flick, fine! Go for it! Rock on! But don’t try to sit there and try to call a weed a rose, it is what it is. You got a fat check for it and nobody blames you for it, so don’t try to validate why your film showing in Asian markets starring a porn star is a legitimate piece of art. And more than that, do NOT make me feel like I will miss out on opportunities to develop or further my career because I won’t work with those types of directors, or because I won’t take on any and every project that gets posted on a casting website or because I won’t do free work over and over again just to have 37 films completed in 1 year. Who is seeing them?
This is a business, but as an artist, this is also my life. This is my passion. This is my heart. I wear it openly and freely for all to see which has kicked me in the booty a few times, but I’ve learned this year that saying no, is not the end of my career. That signing with a boutique agency instead of a massive heavy-hitter because I had a peace in my gut about, is not the end of my career or limiting to me in any way. That not having thousands of Twitter followers real or purchased, will not be a doorstop to my career. That having personal standards as to the kind of work and the people that I work with will most definitely not hurt my career but instead mold it into one that I am proud of.
I realize that perhaps my original intent my have gotten lost in the heated rambling, but my point is (I shall shamelessly steal from Shakespeare) Actors, “To thine own self be true.” Trust your instincts, follow your heart, live and act in love and you can’t fail. When you read suggestions on how to succeed in this business, talk to other actors or mentors and even now as you read my blog – be open but understand that these are all learning points. You can choose to use them or not based on what works for you. Their path is NOT your path, and what worked for them may not work for you. Just because they worked with so&so director or got their headshots done at a particular studio does not mean you must follow in their footsteps. Pave your own path. Being an inspiration to all those people out there who inside are saying “I want to act but this just doesn’t feel right to me.” When you honor yourself and your spirit, success, beauty and true worth always shine through.
I am a testament to that. Almost ever opportunity that has come to me has been something that the universe presented to me based on my choices of a collective lifetime, but any time I have tried to manipulate or pre-determine a certain outcome, it usually is never as fulfilling as I had hoped. And that is what we are all really after isn’t it – to be fulfilled?
So cheers to you on your brave new adventure! I will tell you that some of the resources I do love and regularly learn from are use as resources are:
Durantcom.com – Casting notices
Backstage.com – Great articles
Castingnetworks.com – Awesome monthly newsletter filled with tips from industry experts